The sophomore album by the
self-proclaimed hippie group looking to have derived from the depths of a 1960s
commune hits back to their roots of folk country by crooning nine tracks
centering on love, god, and church. The introductory song into the minimalist concept brings flavor of the Johnny Cash taste by stating he is a “Man on Fire”
burning through the faux-1960s hippie communal roots. The entire band as a
whole is apparent in the first few tracks of the album by integrating Alexander
Ebert (lead...
